Tuesday, February 27, 2007
Highway
Driving the N1 is a baptism by fumes:
Total immersion in the smoky viscera
of internal combustion, their invasion
of your nostrils turns your snot black
and gritty as last week’s left-over ash.
It was midday on a Friday in December,
and the traffic was thick as turning yoghurt
left out on a summer’s afternoon.
My fingers gripped the steering wheel so tightly
the bruised leather of its contours
stuck to the skin, adhered to my
knuckle wrinkles like old, viscid malt.
* * *
Rub your thumb against your index finger
when your palms are slightly sweaty.
You should get the kind of squeaky,
frogs-croaking-at-night,
“No, I don’t want soup”
Hot
that inhabited my car
(small, white, no aircon,
the tyres going bald)
Yes, you’ve got it
– that kind of hot.
* * *
I was driving the N1
out of
It was holiday time.
dogs of war (revision)
the dogs
(of this war)
are weakened
they’re without food
they’ve devolved to water ripple ribs
to necks so thin they look
like they’ve grown fins
I see them skulk
Langa's streets,
the other orphans of this
filial affair
sanguine and loyal
they’re left behind
without caregivers
sans family
amidst the real orphans,
the opal eyed glue-sniffers
the cup-your-hands-to-catch-
water-from-a-tap beggar boys
bent on catching something,
even if it is aids and
“they’re far too young for any of this”
and “I agree” and “it happens”
and it just doesn’t make
sense that we can’t do anything
about the fact that dogs are the
survivors of families dead by aids.
There are dogs dead
and dogs dying in the street.
That’s just the dogs.
People are doing the same thing.
And white people I know seem to cry more
about dead dogs (flies buzzing)
than lots and lots of dead,
poor, unemployed, black, people.
‘same difference’
some of them say.
the salt of lost oceans
in a kiss
I taste the salt
of lost
oceans
on your lips
one Day crafts another
its claim of Dawn
a steady consonance
the coalescence
of rays of the sun
their ocean reflections
their shimmers in rivers
their clasp on glass
form sunlight’s shackles
on Daytime
yet the lock’s decay is steady
the
slip the chains,
and Day is released to Darkness
Nighttime stakes its claim
unreflective, unshimmering,
but clasping and bright
as a changing Moon
that relights the night
then relinquishes its hold
as
its claim of Dawn
a steady consonance
the coalescence
of rays of the sun.
just so
as we lie in the half-night
your teeth and tongue
make playful chiaroscuro
of its darkness and light
your lips cross-hatch
your mouth, your teeth are the
paper-thin white that sits
beneath every charcoal sketch
none of them have had your face
tight against this black and white
blanket, your back up and down
with night-breath, and the slight
curve of your shoulders as you clutch
the pillow to your breasts: pale,
caught by moonbeams that cleave
the curtains and tie you with the such
enormous strength of the night-time,
silk slivers of ropey darkness,
that bind to a sketch of you in bed
in the half-light, the sublime
just so you are caught in the artistry of dreams
The height of care
was the sagging skin
of my grandmother’s elbow
dipped carefully
into hot bath water
She would dip and stir
dip and stir
as she patiently awaited
the perfect temperature
she would gently sing
‘til the folded-in skin
of her elbow said:
this is right, bathe him now.
She would lift my
brother by the hefts of
baby-skin beneath the armpit
and slowly settle him down
into the water: his vetkoek feet
then his lumpy legs and
plump tummy ‘til he sat in
the bathwater solid on his bum
she soaped him with method
to end she would pour the elbow tested
water over his head,
he’d chortle. She’d laugh.
The importance of ice-cream lids
Over the back-seat
front-seat separation
a father hands his son
the lid of an ice cream tub.
The boy, held back by the
black seatbelt, strains to claim
the lid from his dad’s hands.
Finally, he nabs it,
grasps the booty and takes a moment
before slowly licking the
circumference of the lid
The circle of chocolate
diminishes in the face of
his concentrated ministrations.
And afterwards, left with a half-moon of
melted chocolate ice-cream,
face and fingers all dirty brown
and a once-white T-shirt
He smiles. His father in front,
who should be angry at the mess,
instead laughs, and laughs, and laughs.
And I
And I’m sitting inside this
Big house in Bishopscourt
And I’m hungry and my food
Hasn’t arrived
And the doorbell rings
And I think at friggin last
And I go out to the gate
And there’s this delivery guy
And I was going to tip him
Just under 10%
And his wife and his little baby
Are inside the cold car
And it’s raining, and it’s wet
And I have my food
And his wife and his child
Are in the idling car
And I give him over 20%
And I leave feeling slightly…
And I have so much
And he’s a delivery guy
And it’s a Friday night and his wife
And little boy are in the car
And my meal gets cold
And I eat it like that
And it still tastes ok.
Simon,
You're such a hottie