Saturday, February 04, 2006
Ok, so here are some more recent writings from me. I apologise for the possible limitations in terms of subject matter, but it is something that I have been thinking about. Not that I want any of you to worry, in my writing I am a multiplicity of people, not simply 'Simon Halliday' (whoever that person really is). Nonetheless, 'I' have written these pieces and you are welcome to indulge in them.
Clouds and Sun 20.01.06
The sun is running up, out and through the top
of the gutters on the side of the buildings
liberated from the plastics in the return, the
homecoming of sky and clouds: running
stalking their way across the skies of
Cape Town bashing their way past signal
hill and attempting the climb of Table
Mountain. Fatigued they limp their return
to the sea, briefly blocking the sky and
managing a brief dalliance with the
Table Bay coastline. The echoes of their
intermittent passing felt in the wetness
of faces, the damp ground momentarily
more fertile, the nascent dreams of plants,
grass and the ever growing and diminishing
clouds entreating the water to return to the sky.
Turned Hands 22.01.06
Instead of your upturned
hands in supplication, in
mute demands of me
your hands would
be better poised
turned downwards
wrists together
Although your movement
is free, the imprisonment
you feel is far
more stringent
and encapsulating:
your hands, turned down,
would indicate this.
The Mute 22.01.06
Are so made by
unhearing ears and
sightless eyes, blind
to requests for
money or employment
by the grace of
someone else's god
If I could offer
words of revival
or advice unwanted
as they may be,
I do not know
whether they would
be deciphered:
From my mouth
would come the moaning
attempts at speech
of the unendowed
the unvoiced and the
indiscriminate nonsense
of poverty
Clouds in my room 22.01.06
On occasion, I wish that fog were stronger, that it could make pause
the realities we so easily construct in our domesticity. A fog that
could penetrate through the open doors and windows of my home
and make these spaces unfamiliar, darken them with dampness and
opaqueness – clouds in my living room, my study, my each and every
private space invaded by the waters of alien spaces, penetrated by
air almost drinkable in its thickness.
It would take a strong movement for me to open my mouth and
begin quaffing it down, imbibing this invasion, taking it into me,
swallowing it down and ingesting it – the process of both alienation
and familiarisation with that in which I have lived, in which I have
made myself present and unforgivable. Having taken them in, I would
remove myself, I would spew the contents of my feasting out into
the streets, into the city, out.
Out of my body, how I hope that the process of being lost in the
familiar could liberate me, and that in my ingestion and in its
pursuant liberation, I would be free of memory.
Those Nights 24.01.06
It is those nights
when what feels
like need
burns from the
bottom-most bones of
my feet through and up
my deep set spine
it is those dark nights,
those nights when the wind
clamours against my windows
and doors, sounding like
your voice calling from
the depths of need
a need that only I could
quieten,
that it is the most difficult
Those nights, replaced by
breeze-easy days
silent and well-lit
and I am made dumb
by this censure of days
on those my nights
Untaught 04.02.06
Love is not learnt
it is not thought
or contemplated
or written
it is obliviousness
of the world around me
faded pastels and unkempt
greys searching for the
injection of what a moment's
experience of this could provide
it is the anger and the bursting
consumption of my fleshy body
the browns and whites thrown
about blown apart from an
inadequate sense of attachment
to the part of me that is here
and it is immature and old the
fossilised body of a hominid child
cowering and clinging yet held
forever in stasis forever in perfection
forever in that moment, that instant and
held held held constant because it cannot be
you did not learn me and neither did
I ever think of learning you but
the moments of love were perfect
and engrossing in recollection and
worthy of every tear that I have shed and
now that love is not there, I will learn you.
It was not learnt
it has been thought,
contemplated and
so tragically written.
Forgiving separation 04.02.06
I am not good at letting go, at least not
in the moment in which it has to be done
and I detach and rationalise in hindsight
in the measured and practised defences of
one at comfort with disconnection
But that is far from accurate, in any sense
far too intellectually driven and unemotional
(although you could claim I am so disposed)
but all of the grammar, all of the correct
spelling and the efficiently placed words
are such clichéd approximations of separation
such an imitation of politesse for one in
suffering, one unable to wear hearts on sleeves
or collars for fear of their consumption and
their bloodied remains strewn across starched shirts.
It is thus with you, and I forgive myself daily for
those subjects undiscussed, the compliments ungiven
and the wonders I beheld at every moment watching
you walk through scratch-grass veld but which remained
interminably unshared. I forgive myself.
But I will not damn myself by asking for yours.
I wish you would not issue apologies, explanations and qualifications to precede your poetry. I feel they only get in the way; your poetry is sufficient and would be more beautiful without them. You don't in any case need to apologise, explain or qualify yourself - you are the agent, you belong, and the world must deal.
There is nothing to excuse: no-one can accept your apologies. Only accept and be yourself, and the entire world will accept you.