Saturday, February 25, 2006
Rants and Raves of a Silent Mind
Painting the Lion 18.02.06
It stands there in the glory of all who have stood before it
labouring to cover its surface, to fill the niches, to cover
its mane it the colours of their manifest expression. Its regal
nature overcomes any shade it has been painted and will
ever be covered in, deeming future and past a part of
its tribute, the victim of its sacrificial hunger and bathed
in the blood of its bacchanal glory.
She wept into the sheets upon which she had bled and
on which they had sweated and rolled and come together
she had fallen and fallen and felt so taken that his departure
had seemed natural, had seemed part of the course of an
evening, of the ritual of lovemaking and the way that
these things did and should evolve. That was until she
found him kneeling at its base, covering it in red paint
hallowing it, and giving it the love she deserved.
A fratboy turns
a freshgirl comes
the blood she bled
it runs it runs
the paint the blood
the lion's roar
the sounds beyond
a dormroom door
a scream a shout
the cream and pink
barely noticed
the vomit's stink
to wit to woo
to barely stand
but beyond the love
he's made a man
and she so cold
a virgin lost
her story told
her body's cost
placed 19.02.06
And now, in the moment of
attendance,
there is such
lightweight movement, such
graced eyecontact
you are not here
knowing this gives
me happiness knowing
you are,
but sadness in your lackness
so a moment of waiting
of indefinite exposure
to between times,
the intervention of
the ill-timed
Relating to Josef K. 19.02.06
I claim precedence in hearing
that of which you speak
the words with which you
judge me: the actions, the
punishments that you seek.
As filmed from a camera
I stand behind a podium hands
spread seriously before me in
pleas of innocence and lacking
ballast for my position
although it is wholly defensible
you find ways to twist the words
to change my intents to
your own malice, to moments
of disengagement, of dismissal.
I claim deference in hearing
that to which you listen
the lashes on my skin
the water in my eyes
the worded torture you hasten.
I was unaware of the brash
dishonesty of truth of speaking
my mind and having its beauties
turned against me, their intents
damaged by your maligning of them
But I will continue on my dread
campaign to uncover my honesty
although you would arrest me for
its use, for its avid embrace of my
everyday, my violable liberation.
The Gone 19.02.06
A man stands on a hill
waving his arms to stop
the movement of the world
past him, he would arrest
its serial nature
but clouds and wind do
not stop and neither one
claims independent shape
of the other they revel in
their simultaneity
parallel he cannot help
being defined from moment
to moment to moment
as timed as sequential and
so trapped by the gone
corridors 20.02.06
It is a corridor with a grey carpet, the scratching of it as it
catches on my shoes, is reasonably typical and indicative
of the care that they don't put into looking after those
who make demands of them, there one sits behind a
glass door, the type that blurs the image beyond: they are
the black haired, dark-suited glossaries at the backs of
books about which no one cares and they know that
beyond their immediate ability to impede me, they have
no influence over life, neither mine nor their own and
the aggravation is made manifest in their slow ums and
aahs the debilitating nature of the law unknown to
those who are meant to enact its nature, its ignominy
At liberty 25.02.06
to discuss and dream
to think and suppose
and possibly imagine
a world of words
and a painted stream
of the thoughts running
through my untidy mind
caught up in uncertain
rhythms and a lack of time
in between thinking
that would be the liberty
to pause to stop for
a moment the goings
on inside to listen
to observe unencumbered
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