Thursday, May 25, 2006
harmonics 12.05.06
glancing at the sky
i see a star damaged
by the light around me
hemmed in the controlled
dispersion of our
electric lives
and I am humming an
awkward tune turning it
into a whistle
tuning into and out of
what makes the star
real in this moment
that i am watching it
seeing it and enjoying it's
damaged harmony with mine
Moving photos 14.05.06
I have photos of you
put up on the walls of
my room, slowly their
prestick-strength has
failed them and they have
peeled off, a corner at
a time normally. But
there are two of you,
black and white,
bleached sand, the curve
towards a breast as you
lie there, and these
neither peeled nor
took their time, they
simply fell. I don't want
to put them back in their
customary places, we
are no longer suited
to them being there,
nor am I sure if they should
be up any longer, grey
beaches of times when
you weren't away and
neither of us waiting
for the other to change,
for the other to stay.
Awoken dream 19.05.06
I.
Trembling child of my thoughts
do not cower
you are neither hungry
nor thirsty
quivering
boy
why do you cry?
I see neither wounds
nor scars on your
pale body, you
seem
undamaged.
Yet there is a hand
and a pointing finger
that draws in
the sand of these
thoughts
these predicted
dreams
II.
these finger sketches
made in the sands
become golem-alive
the barefoot walking
water carrying mothers
of my mind's eye
hungry fingers scratching
in the sand meals they make
held earthenware strong
the strength of these clay fingers
is borne in their daily
water-bearing, water dreaming
III.
without water, arid in
the African sun, the potter-
creators are weak and dry:
their makings cracking in
the heat, breaking in the
drought of it and once more
fading, the earth swallows
them and what was once blood
nourishes the parched land
sweet land that birthed
these golem dreams that
showed me the water-clay
children, hungry as they
were, but brought back
and dreamed at me, brought
forth, tied to me, and I, having
collected their sun-scattered
remains, wonder whether
I could have held back
the heat that so culled them.
I regret that I did not intervene,
that I watched in silence,
and bore witness to their shattering,
their last out breath.
Restoration 21.05.06
All it took was
some words, the
way you shook
your hair and a
request
from that I took
restoration
and there I had been
cowering in the
fear that the rest
that any more would
simply be shadows
you present me with
hopefulness
Interest 21.05.06
To batter against
what were the barriers
I had set up
to know that I
had erected these
structures, but be
unaware of the methods
of their de(con)struction
my god you have stirred
me up and it feels
so good to once
more engage and
be wanton for the
damage that you could
inflict on me in
letting you in
in the possibility
of your vision
beneath my closed
eyelids, to be unheard
by you, but for you
to feel the bass of
my voice against the
closeness of your skin
that would content me
Five Men 23.05.06
I scream wracked the windows
of my home tonight
and I am past the point
of tentativeness
I ran out to the calls of
“They're down the canal”
and a woman screaming
“Get the bastards!”
I had not run that fast months
my damaged knee, but the pent
frustrations of hijackings
break-ins and the muggings
of ninety-one year old women
spurned me onwards, I ran with
two men, I the biggest of
us three and I caught up
to the 'bastards' who'd
attacked my neighbour lady
five men in the darkness of
rondebosch, canal water and leaves
I stood there as they
shouted at one another
running and confused at
people chasing them:
the reverse predation
and it was stranger still
when they ran at me and
I stood my ground.
One stopped, waved a knife
and ran away. Although
I was not fearful, stupid as
that may seem, it would
have been more foolish still to
die alone there, having outrun
my friends, but I knew
I knew and I knew, that
part of me had wanted
to attack him, to make
him feel attacked, to rip
at his knife-hand with my
hands to punch him with
my frustrated fists and to
kick at the lowness of it.
Earlier I had tried to recall
synonyms. They came to me
as I ran my chase:
Dialectical. Disputatious.
And they were so damn
appropriate the dialectics
of the material, the stolen
and the gone – the paradox
the rich fearing the strength
of poverty as young men
race our streets in their
casual attempts at 'work'
of laptops and old ladies'
purses, the radios and old
shoes in cars, the left, the
lost and the alone. Gone.
A Primary School Classroom in a Township 25.05.06
Far far from the grasp of gusty seas and cling-wrap
beaches these faces the stalks of brown seaweed in
an ocean of white paint and ink-stained desks, they
are the wind-blown pick-'n-pay packet children of
Cape Town's shores blown into the overheads and
highways caught up in the barbed-wire berths that
surround the schools in which they were once sweet
once young, momentarily youthful in the bright, sunlit
corners of these too dim rooms. The boy with the
ink on his pale hands left his mark in the sand near
the school's gate, he glanced across his shoulder at
the rust tin soccer games, the gravel clean and innocent
in the face of all the running, the games and the
flagrant inaction, the careless joys of education
primary and formative as it should be. Yet it could
be more: with the ideas of carpets beneath feet, the
concepts of books on shelves and pencils in hands
or chalkboards that would meet with chalk, rather
than the drum of dull voices and their echoes on
cemented floors, the emptiness of bookless shelves
and the orchestral silence of unwriting children.
I would not claim that their tongues are not golden,
nor that their eyes could not remember the greens
and blues of beached days, but the talking, the reading
and the idea of imagination seem sparse here, it is
difficult to consider them, to conceive of what once
would have been imagined, would have been naked,
burning and eaten up by tastes gone dull from disuse
for the paper-thin boys breaking into the waves of the
smaller girls look on in shocked hair ways, eyes wide
at umlungu, eyes brighter still at how we so become
idols, how we are the moment by moment recreated
histories playing out our drums on the skin of their
ancestors, and them the heirs to lost thrones and further
gone lineages of men, bought, sold, liberated and sold anew.
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